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ok you have all them fancy annoying clauses to say you cant get this or its not out or all them other reasons
what is wrong with just one simple quote...
"ALL MUSIC IS SUBJECT TO AVAILABILITY"
in 30+ years I have never had a problem if we can get it we will if its out we will if not then sorry not much ANYONE can do (unless you have the song)
so how easy is that BIG statement ....
simple and straight to the point!
If I sold my music on Itunes, I would not be able to afford to run this business or ever write/produce another song. There would be no profit.
Since you brought it up, can you explain more about the business model? While I'm aware of perfomers who do not participate with itunes, I'm honestly not aware of a successful small label that sells music at your pricing.
To put it in "layman's" terms: why SHOULD someone play (up to) ten times the "typical cost" for a special song? Be aware that there are those here who apsire to be worth more than the "typical cost" for a D.J., so perhaps your answer might help us with ours, when potential clients ask us a similar question.
No flaming (at least from me). Just an honest question, looking for some insight, and discussion, to reach a better understanding.
Sure there could be proffit - you cut out artwork and cd-pressing expenses!
It's really simple for me...I don't write music for DJs. I write and sell to brides, grooms, mothers, fathers, and other wedding party members that are looking for something unique on their wedding day. I get found because they go looking for just that online. DJs don't buy my music to play unless requested and less than 5% of my sales are to DJs. My music is found and bought because someone in the world wants something good that has not been played to death. Unfortunately (and fortunately) because I don't have any airplay or overexposure, I fit that niche.
When you say "typical cost" you probably refer to a HUGE record label that has produced a hit song with a major artist at some point. I would assume that your typical requested song has been a "hit" at one time or another. If so, millions of dollars have been earned somewhere for that song. Typically the songwriter and label earn the most of that cut. Independent labels can't compete on that level with no airplay, no major advertising, and no videos playing on CMT or whatever. It has nothing to do with the quality of the song, it's just the way the business is. There are big dogs and little dogs. I'm a little dog in the industry. Unless I give up at least 50% ownership to the big dog, I don't have a chance of playing in their league. And since we don't have those resources, it's impossible to produce the same quality product and sell it for the same price as a song with that much exposure and earn a profit. It can't be done.
So, when I hire Garth Brook's piano player, Dixie Chicks drummer, and James Taylor's violinist to perform on my songs, it takes a lot more time to recoup the invested money because my songs simply will not be heard or purchased until someone goes online looking for something different on their wedding day.
A couple of points:
1) Your pricing effects whomever buys your music, DJs or otherwise. The general public, including brides, grooms, and fathers of brides, buy music online for their ipods and other digital devices.
2) Labels, both big AND small, participate in online stores, like itunes, amazon, cd baby, and many others. To suggest that you have to be a major label to participate is simple not true. Your pricing is six to ten times higher than other artist-driven labels.
3) Agreed - there is MUCH more to a hit recording, beyond the quality of the song and/or recording.
I'm confused. Are you trying to sell a lot of your music, or are you trying to stay deliberately staying "unique" and sell fewer copies (yet make a MUCH greater per copy profit, based on your business model)?
Our DJ bought over 50 songs for our wedding and reception. It is part of the cost of doing business.
Mike
I do participate with Itunes for my classical songs, Amazon for all my CDs, and CD baby for all my CDs. I just don't allow my original songs to be sold for .99 (.67 each for my cut). Again, nobody goes looking for for T Carter Music because they just heard it on the radio. Trust me, independent labels that sell on these platforms don't really make anything. I'm one of CD Baby's better sellers and I made less than $3,000 dollars last year from my sales with them and that includes Amazon and my classical CDs on iTunes.
As a DJ, I don't expect you to understand. You are not buying my music for an emotional purpose for one of the biggest days of your life. The people who buy my songs do so for that reason. And, they don't mind paying $11 for that.
It's really simple, it's only $11. Regardless of what others charge...
DJs have different rates, am I correct? Why the double standard? If a DJ in NY want's to charge $800 for a gig and a DJ in Cali wants to charge $1500, who complains that all DJs should be the same price?
I personally know of a DJ who lost a $1700 gig because he lied to his client and said that he could not find my music. This was after the client gave him my website and exact order info. The client was furious! This was over an $11 song (would have been $7 if he would have signed up for a DJ coupon). I don't understand...
I feel justified selling a unique wedding product for $11. The wedding industry is a whole different deal. Have you seen the price of catering? What I offer for the wedding day is very, very affordable. I offer a special moment. Nobody else in the world is doing what I'm doing. I write moment specific wedding songs and use the best Nashville musicians to perform them so that people can actually use a great sounding song that has words that apply to them.
Have DJs EVER used a song that they did not pay for? If so, what's the complain? I've had DJs call me before and tell me that almost all of their collection is from LimeWire or other free file sharing. Others I talk to are very ethical and only play songs that they have paid for. Regardless, someone sent them to me for a song that they really wanted to use. I'm not sure whey anyone would ever steer them away from a song that they had their heart set on just because they didn't want to pay for it.
Even if I dropped my prices to 1/2 of what they are now, I would go under. The web fees, postal fees, Cybersource Credit card fees, taxes, and production overhead would bury me. This is why nobody does this! Seriously, do a search of independent wedding music writers and you will see the prices are consistent and there are very few of us. Just about all other small companies doing this do a little better than break even and are just glad to get their music played.
Not sure why I'm defending myself here...:sqconfused: I didn't join this forum to be raked over the coals about my prices. I only wanted to offer some insight and possible discounts for the friendly fourm.
So, when I hire Garth Brook's piano player, Dixie Chicks drummer, and James Taylor's violinist to perform on my songs, it takes a lot more time to recoup the invested money because my songs simply will not be heard or purchased until someone goes online looking for something different on their wedding day.
"All music is subject to availability"
One of the problems with that is that EVERYTHING is "available" if you look hard enough and are willing to pay the price to get it.
All says that says is:
a) I dont have it right now
and/or
b) I couldn't find it in the x-number of places I tried to find it.
Not real rock-solid protection from a legal standpoint if someone *wanted* to call you on it.
Also, there is nothing in that one simple statement that alludes to the fact that you need a reasonable amount of advance notice to TRY to look for something you don't have or secure it for the performance.
So you are not protecting yourself on those grounds either and if that is all you have pertaining to music availability in your paperwork, you are not protected from a client who calls you the day before a gig to get an obscure song.
That that obscure song may not have been "available to you" between the time you got the request and loaded up for the gig has NOTHING to do with the actual AVAILABILITY in general of the selection requested. Your reliance on that clause assumes that any judge hearing the case would allow you to be VERY creative with the interpretation of "availability" at any given time.
If your DJ had to buy 50 songs he either was not a working DJ and didn't have many songs or you had some weird requests. In a 4 hour dance you realistically can only play 60 songs so you pretty much picked the entire playlist. I would not have bought 50 songs and if you had that stipulation, I probably would not have taken the event.
I have it in my contract that must play lists can only be 10-15 songs and the only guaranteed songs are the special dances. And that has to be initialed when signing the contract so they can't throw that back at me come planning time.
Steve, I don't think Tony was trying to be condescending with that statement, I think you just took it the wrong way.
As a DJ, I don't expect you to understand.