Honestly, not good at all, ive got zero booked
A few years back, I stopped working NYE events - I actually didn't 'stop', I just made it unaffordable. If they're willing to pay what I want, then I'll come deal with the craziness.
Right now I have 19 on the books for next year. Without looking back I think it's a couple ahead of last year at this time. I try to hit 50 each year and usually I'm closer to 60 personally and another 25 to 30 for my other DJ's. January to March is the prime booking season here.
I actually have 5 in '18 already signed and booked
As an aside I had a cancellation for NYE this year and nothing else booked so far. If I don't get one it will be the first time since '83 I will be off NYE
I've been making it unaffordable since 83 but they keep calling lol
12/31 is our Anniversary. I've suffered too many times from "Oh, go ahead and work honey" where I actually believed her.
A few years back, I stopped working NYE events - I actually didn't 'stop', I just made it unaffordable. If they're willing to pay what I want, then I'll come deal with the craziness.
I have 9 weddings currently on the books with a few more pending. I also have St. Charles Pride Fest, which is expected to have about 5000 ppl attend so I'm looking forward to that!
My goals mirror yours. I'm hoping to end up with 20-25 for the year. I think I will reach that goal. What I need to figure out is how to get into the corporate world.
Unless you become the person they contact for corporate events, One or two exceptional events and its pretty easy to become the go to for others, Im not talking Christmas parties I'm talking conferences, providing audio visual solutions for companies meetings, this is a very lucrative market and is mostly weekday work if I was sitting home during the day wonder where to go eat lunch I would be wholeheartedly after this market if I lived in a major metropolitan area. as it is in a town of under 3000 I have done 5 -10 of these events per year in the past, having a large technical college in town is where most of this came from, but there were always one or two others every yearCorporate events don't occur as often as they use to. However, it's still a market worth venturing into. Unfortunately, Corporate clients who do not go to some website like Gig Masters or Thumb tack are generally going to either go through a planer, OR what happens is that they have an employee who ends up referring someone they know. ...Outside of that, Corporations will often just go directly to a Talent Agency.
The Agency I am with at one time about 10 years ago was booking over 500 contracts during the holidays for holiday parties (December/January). I don't know what they do now, but I am positive it is well below 200 these days...
I have 9 weddings currently on the books with a few more pending. I also have St. Charles Pride Fest, which is expected to have about 5000 ppl attend so I'm looking forward to that!
My goals mirror yours. I'm hoping to end up with 20-25 for the year. I think I will reach that goal. What I need to figure out is how to get into the corporate world.
But that might mean straying beyond Alto ...Unless you become the person they contact for corporate events, One or two exceptional events and its pretty easy to become the go to for others, Im not talking Christmas parties I'm talking conferences, providing audio visual solutions for companies meetings, this is a very lucrative market and is mostly weekday work if I was sitting home during the day wonder where to go eat lunch I would be wholeheartedly after this market if I lived in a major metropolitan area. as it is in a town of under 3000 I have done 5 -10 of these events per year in the past, having a large technical college in town is where most of this came from, but there were always one or two others every year
But that might mean straying beyond Alto ...
I think there are 2 paths .. full production and AV support .. one is gear only, mainly for smaller events .. the other has necessary artistic components. The 2nd will bring in significant dollars and significant headaches. I think the smaller events, with primarily speaking and minor amounts of music are doable by some DJs.Totally... I see PSAV locally a lot for bigger stuff. And my day job company does about 4 big conference style events a year and hires a different contractor for the production work.
No doubt there is a lot of business there. But, to me it looks like all of the worst parts of DJing, and none of the fun parts (except maybe cashing checks).
Mine were usually a sound system, usually I used 4 Yamaha DXR 10s, wireless mics, a combination of handheld, lav and head worn, very little music, and quite often a projector and screen it was / is a pretty easy $500-$700 income on a weekdayI think there are 2 paths .. full production and AV support .. one is gear only, mainly for smaller events .. the other has necessary artistic components. The 2nd will bring in significant dollars and significant headaches. I think the smaller events, with primarily speaking and minor amounts of music are doable by some DJs.